Download PDF Voices of the Damned, by Barbie Wilde
Download PDF Voices of the Damned, by Barbie Wilde
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Voices of the Damned, by Barbie Wilde
Download PDF Voices of the Damned, by Barbie Wilde
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Review
Publishers Weekly Starred Review: “In this impressive collection of short stories, actor Wilde (who played the Female Cenobite in the film classic Hellbound: Hellraiser II) reveals a world of beautiful fear. The most delightfully terrifying entries form the Cilicium Trilogy, which reveals the complex origin and destiny of Sister Cilice. This character-focused exploration is sensual in its brutality. In “Writer”s Block,“ Wilde combines the psychological torture of an unknown artist with the erotic egotism of fandom to create a fascinating sexual horror. She creates a dreadful family legacy in “Botophobia,“ in which there are not merely skeletons in the closet but unworldly powers hidden in the basement. Wilde”s mastery of shocking violence is given full rein in subjects ranging from reclusive self-imprisonment to the exploration of European nightmares. As much a chilling collection of frightful fiction as a delight for the darker senses, this is a satisfying triumph in a befitting, unforgiving, style. (Oct.)“ (c) 2015 PWxyz LLC Publishers Weekly. Used by permission. Review Extracts: “Voices of the Damned is raw, twisted, horrifying and seductive. Barbie Wilde takes no prisoners & she does not disappoint!“ ―Jonathan Maberry, New York Times bestselling author of Dead of Night and Ghostwalkers “...this collection of eleven short stories confirms Wilde as a foremost author of erotic horror fiction“ ―Jon Towlson, Starburst magazine and author of Subversive Horror Cinema: Countercultural Messages of Films from Frankenstein to the Present “...her work is so uncanny and fearless, it is a must have for any horror aficionado.“ ―writers and directors the Soska Sisters (Dead Hooker in a Trunk, American Mary, See No Evil 2, Vendetta) “Raised from the dead, this phantasmagoria of tales offers well-written mini-nightmares that will traumatize, titillate, and stick in your mind long after you’ve closed the book.“ ―Filmmaker Izzy Lee, Fangoria Online “If testosterone jumping erotica combined with heart racing fear is your bag of horror then this is just what you’re looking for…“ ―Paul Nelson, Scream Horror Magazine UK “Voices of the Damned is one of those seminal collections put out by an independent publisher that not only heralds the arrival of an awe inspiring new fiction writing talent but also bodes well for the genre into which this particular author has so nobly shoe-horned herself. Just as with Clive Barker, there is no apology for the horrors about which she writes, indeed, the whole tome is a celebration of the weird, fantastic, and, oh yes, the nauseous.“ ―John Gilbert, Fear magazine Issue #35
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About the Author
"Damaged people, ultraviolence, murder and explicit sex--what's not to love about her work?" --"Bad Barbie" Featurette, Fangoria (America's #1 Horror Magazine)Barbie Wilde is best known for playing the Female Cenobite in Clive Barker's classic British cult horror movie, HELLBOUND: HELLRAISER II. Before moving to the UK, Wilde attended Syracuse University in New York State, majoring in Drama and Anthropology. She continued her education in London, studying Drama, Classical Mime and Art History, before joining Britain's largest classical mime troupe, SILENTS.Wilde has performed in cabaret in Bangkok, Thailand; robotically danced in the Indian blockbuster, JANBAAZ; was a vicious thug in Michael Winner's DEATH WISH 3; and played a drummer in the so-called "Holy Grail of unfinished and unreleased 80's horror": GRIZZLY II: THE CONCERT, which also featured then unknowns George Clooney, Laura Dern and Charlie Sheen.In the early 1980s, Wilde danced professionally at the top nightclubs and rock venues of New York, London and Amsterdam with her group, SHOCK. SHOCK released two singles on RCA Records and supported such artists as Gary Numan, Ultravox, Depeche Mode and Adam and the Ants. Wilde wrote and presented eight music and film review TV programs in the 1980s and 1990s, interviewing such pop personalities as Iggy Pop, The Sisters of Mercy, The B-52s and Johnny Rotten, as well as actors Nicolas Cage and Hugh Grant. Wilde was also a Casting Director for the BBC's THE BUDDHA OF SUBURBIA and for MTV's THE REAL WORLD: LONDON.In 2009-2015, Wilde contributed short stories to 14 horror or crime anthologies and publications.In 2012, Comet Press published Wilde's debut serial killer novel, THE VENUS COMPLEX. Fangoria has called Wilde "one of the finest purveyors of erotically charged horror fiction around".
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Product details
Hardcover: 226 pages
Publisher: Short, Scary Tales Publications (October 31, 2015)
Language: English
ISBN-10: 1909640352
ISBN-13: 978-1909640351
Product Dimensions:
7 x 0.8 x 10 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
20 customer reviews
Amazon Best Sellers Rank:
#2,361,233 in Books (See Top 100 in Books)
There’s a temptation to treat Barbie Wilde’s anthology Voices of the Damned in one of two ways: the first as a horror fan looking to curry favor, or the second as someone looking to prove that he’s not impressed by Wilde’s iconic status in the horror genre.I won’t do either, because Voices of the Damned deserves better. This is an extraordinary collection that doesn’t just break taboos, but shatters them and dances with stiletto heels upon the mewling, agonized pieces. Wilde explores a breadth of themes that go beyond the standard tropes of sex and death, of torment and delight, of holiness and profanity, taking us to new, disturbing realms of imagination that we haven’t seen since Clive Barker’s visionary Books of Blood. Her unique blend of dry humor and graphic description will have you smiling in one sentence and holding down your gorge in the next.In her Sister Cilice stories, Sister Cilice, The Cilicium Pandoric, and The Cilicium Rebellion, Wilde takes control of the character she portrayed in Hellraiser, making the female Cenobite her own person with a past, present, and terrible future. When does devotion become masochism, agony transform to orgasm? And what happens after, when desires are sated?The zombie theme gets a disgusting workout in Zulu Zombies, with an introductory scene that very few writers would have the courage to relate. It’s fun, a bit campy, and just different enough to make you realize that there’s (un)life in the zombie genre yet.American Mutant tackles evangelist Christianity, America’s deep south, and family. It relies on cliché for laughs, and as a send-up of religious yokels below the Mason-Dixon line, we’ve seen it before.The Alpdrucke and Gaia are the workhorses of the collection, serving up non-standard horrors that keep you turning the pages without making you work too hard.Valeska made up for that with a bizarre conceit that Wilde cleverly manages to keep from descending into pornography through deft characterization and the shattering of expectations. Some vampires are Sanguines, and they drink blood. Others are Seminals, and they drink…well, you’ll figure it out.Polyp was hysterically funny, with a deep core of horror that doesn’t leave you alone when the story’s over. Botophobia takes you first one way, then another, then kidnaps you and hauls you to a disquieting place you didn’t see coming.The life of a horror writer with the attendant social media BS, personal marketing, and convention attendance gets a hilarious treatment in Writer’s Block. If you’ve ever wanted to know what the writer’s life is really like (sort of), including encounters with crazed fans in hotels, this is your story.The praise for this collection from horror luminaries like Doug Bradley, The Soska Sisters, and Jonathan Maberry isn’t overstated. Inside, you’ll find things to bite you, kiss you, and…and do other things. Whatever happens to our beloved horror genre in the coming years, Barbie Wilde’s already put her mark upon it, and the news is both enticing and terrifying.(Review originally published at The Slaughtered Bird: [...]
I wasn’t particularly offended, but is not a particularly good piece of writing now, is it?The Cenobite Trilogy was interesting.
thoroughly enjoyed this collection of short stories which range from straight up horror to sci-fi horror. I will admit I read the Sister Cilise stories first, as I am a big Hellraiser fan.
Awesome, love this book and Barbie, I've loved her work for years
Always looking for cutting edge horror to indulge my love of the macabre. This liitle collection of shorts breathes new life into the books of blood that Mr. Barker started years ago.
brilliant and brutal. Barbie Wilde again takes you into her shocking and imaginative worlds. a must have for horror fans. she ranks with King,Barker and rice
I remember reading Barbie Wilde's incredible, noir crime novel "The Venus Complex" just a few tears back, and being completely blown away. My only prior exposure to the writer Barbie Wilde's work had been "Sister Cilice" a short story based on the Cenobite Demon character that Barbie Wilde the actress had portrayed in "Hellraiser 2 : Hellbound, in the Paul Kane and Marie O'Regan edited anthology "Hellbound Hearts". That story blew my mind as well, and for those who are of like mind, there are two equally brilliant Sister Cilice stories in this book that complete a Sister Cilice trilogy. I also recall Barbie commenting, when approached to write and put together this collection of genre spanning short stories something along the lines of, "But I don't write Horror". I for one, am so glad that she went for it and was mistaken in that thought. But the horror genre doesn't nearly even begin to encompass what she accomplishes here. There's Horror, a touch of Sci-Fi, and well, such a blend of imagination and creativity that labels might just as well be checked at the door, or perhaps, portal. This is a wild (see what I did there) ride of dark, erotic, frightening, creepy, and sometimes graphic content, that is never predictable, formulaic, or clichéd. This is clearly an author possessed of the kind of rare talent, creativity and imagination to take the reader anywhere she chooses, in a thoroughly gripping, engaging, and well structured manner. You don't ever see it coming, and even after it does, you're left thinking and sometimes simply stunned, in a sort of deep set afterglow. There is also some spectacular art included here, by the likes of Clive Barker, Nick Percival, Eric Gross, Tara Bush, and others, that nicely supplements the brilliant imagery already firing in the reader's imagination. Brilliantly done, both epic and intimate, chilling and erotic, and completely mesmerizing. Godspeed with the next work or works that Barbie Wilde decides to bring us.
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